8:40 AM
I am seriously beginning to think that the only solution now is to remove Starlight altogether. We are far beyond the point of no return.
S1:
premiere: about the mane six and world building / Luna
finale: about mane six and expectations
S2:
premiere: mane six / world building
ending: world building / cadence
S3:
premiere: "Twilight", but the message is "you are not alone". Furthermore, the episode was cut, so we don't know what the original script was.
ending: ok, focused on Twilight but also on her friendship
S4
premiere: officially focused on Twilight, but actually about her and her friends
ending: see above
S5:
premiere: about Starlight. Fluttershy gets a minor role, but in the end some random side characters saves the…
premiere: about the mane six and world building / Luna
finale: about mane six and expectations
S2:
premiere: mane six / world building
ending: world building / cadence
S3:
premiere: "Twilight", but the message is "you are not alone". Furthermore, the episode was cut, so we don't know what the original script was.
ending: ok, focused on Twilight but also on her friendship
S4
premiere: officially focused on Twilight, but actually about her and her friends
ending: see above
S5:
premiere: about Starlight. Fluttershy gets a minor role, but in the end some random side characters saves the…
S1
premiere: minor song, but it is also first episode ever
ending: has song
S2:
premiere: has song
ending: has song
S3:
premiere: has song
ending: has song
S4:
premiere: has song? must check again
ending: has song
S5
premiere: has song
ending: has song
S6
premiere: no song
ending: no song
premiere: minor song, but it is also first episode ever
ending: has song
S2:
premiere: has song
ending: has song
S3:
premiere: has song
ending: has song
S4:
premiere: has song? must check again
ending: has song
S5
premiere: has song
ending: has song
S6
premiere: no song
ending: no song
Oct 26 '16 at 9:43, by Derpy
I was thinking on what Starlight's talent was supposed to be in the first place. Weirdly enough, making things go against their nature seems to be the most appropriate answer.
9:31 AM
9:44 AM
1 hour later…
10:55 AM
11:12 AM
12:07 PM
@Derpy Since I haven't looked at the spoilers, I can't tell for sure. But mlp.wikia.com/wiki/Episodes,_films,_and_shorts lists two different titles for S7 E1 and S7 E2, whereas the opening two-parters E1 and E1 in each of the six previous seasons had a single title and were just suffixed with "Part 1" and "Part 2" or something.
@Derpy I don't think E2 with E3 is a two-parter either, because the E2 title doesn't say "Part 1" either.
I don't see why they would always need a two-parter though. Some stories can be told just fine in a single 26 minute episode.
I've been watching a lot of Phineas and Ferb lately, and it has a really variable length. Most of the stories are half-episodes, so two of them are packed in 26 minutes, sort of like in the original PPG. The 13 minutes is usually enough to show what Phineas and Ferb and their friends are doing today, Doofenshmirtz's evil plan for today, Agent P defeating the evil plan (or sometimes just waiting idly as it defeats itself), and why Cadence fails to bust Phineas and Ferb.
1:11 PM
1:37 PM
@Derpy I'm not sure that any of that is connected to being a two-parter. The opening and closing episodes often featured more songs and always had the mane six, but the episode with the best songs was S3 E13, which wasn't a two-parter, and a lot of episodes in general include the mane six as a whole.
@Derpy Maybe, but I still don't think being a two-parter is relevant. The opening and closing episodes were usually big flashy stories that often changed the state of the world in a visible way and that were used to sell the series or leave a good impression if that's what people remember. That makes sense for a while, and it might be easier in two-parters. Yes, that's no longer what opening and closing episodes do, and S5 E18 might be the most obvious episode that shows how it's changed.
But I wonder if there are good reasons to change a series after this many seasons. For an already successful series, you no longer need to put all the flashy stuff in the opening episode of later seasons, because that's no longer how people first meet the show, and you no longer need to go out with a bang just in case this season is the last time the show gets funding.
I'm reminded of the case of Harry Potter. JKR wrote the first four books in such a way that they can be read stand-alone, so you can make sense of the story of that book even if you haven't yet read the other volumes. This helps, because indeed I have read Goblet of Fire (book 4) before Prisoner of Azkaban (book 3). This happens with many other book series by the way, and Kastner explains how this is necessary in the preface of Der kleine Mann und die kleine Miss.
But starting from the fifth book, JKR no longer worried about this, because the series got so famous that every reader would know there are four prequels, and the books were sold so much that every reader actually had the opportunity to get their hands on the first four books. That's a very rare case, most series don't have such a luxury, even when they are long.
2:05 PM
@b_jonas I said that before. MLP was crafted with a purpose - giving young watchers a model of values and "moral". It spoke about bullying and other thematic that are pretty common in schools to give some values. It avoided stereotypes so overused in many other animated or live actions series aimed at young watchers.
It managed to avoid things like "no boyfriend? you are a looser", "try to keep your weight under 30kg", "only dresses you should wear are branded ones", "follow the pack at any cost" and so on.
for these reason and the fact that it managed to have a refreshing sense of humor for once not based on "adult/toilet" jokes like other shows (think about all the "Griffins" style series) managed to make it look different and probably that is the cause of its popularity.
Not just a "for kid" show like (for example) Dora the Explorer - something a grown up would become pretty bored of quickly, but a show that could provide something that was "missing".
Laughter, fun and for once a cast of "good" characters. Yep, you see the occasional bully but the focus is still on showing why such behaviors are bad instead of the "fight for prevalence"
Focus on the Friendship between the characters, have them show Effort to overcome a difficulty, and show them Victorious in the end.
because of this, the premieres/finales always felt to me as the perfect places to empathize those bonds of friendship. Since they start to focusing every single one on Starlight I fell that content has been missing.
See S5 finale: all the time I was hoping that the time travel chaos had left some passages open so that in the last scene (the bare land Equestria one) the alternate mane six would have come to join the original Twily because they still felt some sort of bond.
what I got instead was a Ghost of Christmas future scene (at least the second version got Luna singing...)
I fear that with so many members of the old staff now gone, they are now trying to fit this new "Starlight character" in the show as they can.
2:24 PM
They seem to be trying to avoid to make Starlight look like a Mary Sue. She does mistakes, and that is good. It would be very good actually... if then also remembered to write in some sort of character development or her learning from those mistakes.
I said it before but I will repeat it again. The character most evident flaw right now is pride. Pride justified by the constant need to think that she would lose all again if she doesn't match some expectations but still pride.
but them please, turn her in the element of humilty and give her a last two parter to realize what her error was all the time.
Show me that she is worried about her past because she felt many suffered because or her actions instead of her felling that SHE may suffer and be left alone if others discover her past.
3:06 PM
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